I’ve started an email newsletter as an experimental way to share interests, projects, finds, and thoughts in a slightly different format. Instead of convincing people to setup an RSS feed of this site (which doesn’t see much content, admittedly), a digest can be delivered directly to those who want it. Connection, not broadcast, is the focus of this newsletter, allowing me control over the context in which my work or thoughts are shared. Read more

birds and brontide, the first 3 days of May Tascam DR100 MkIII, uni/omni

agitate more, but not too much When pushing film several stops, traditional development can disproportionately increase highlights in high-contrast lighting. Stand Development can be used as a method of compensation. This is done by processing with a more diluted developer for a longer period of time, with little agitation. full size image Nikon F100 | 50mm D | Ilford HP5 @ 1600 A film base (acetate or polyester) is the medium to which a photosensitive emulsion is applied. Read more

cameron peak fire observed from alpine trail approx. 15mi distant Your browser does not support the video tag. full size image Sony α7III | 24-105 OSS G | 1/320 s | ƒ/8 | ISO 100 full size image Sony α6000 | 24-105 OSS G | 1/500 s | ƒ/4.5 | ISO 100 full size image Sony α7III | 24-105 OSS G | 1/125 s | ƒ/4 | ISO 400 full size image Read more

A proof of concept with an MPC with CV outs and a modular system patch notes: -- Morphagene manipulating a piano sample -- MPC One cv sequencing μPlaits for bass, pads. -- Percussion from the MPC full size image Minolta X570 | 28mm ƒ/2.8 MD | Portra 400 full size image Minolta X570 | 28mm ƒ/2.8 MD | Portra 400 full size image Minolta X570 | 28mm ƒ/2.8 MD | Portra 400