A proof of concept with an MPC with CV outs and a modular system patch notes: -- Morphagene manipulating a piano sample -- MPC One cv sequencing μPlaits for bass, pads. -- Percussion from the MPC full size image Minolta X570 | 28mm ƒ/2.8 MD | Portra 400 full size image Minolta X570 | 28mm ƒ/2.8 MD | Portra 400 full size image Minolta X570 | 28mm ƒ/2.8 MD | Portra 400 Read more

seat time full size image Nikon F100 | 50mm ƒ/1.8 D | Provia 100

from jan. 19 full size image Sony α7III | 24-105 OSS G | 1/125 s | ƒ/11 | ISO 160

a poem of modular synthesis featuring an accompaniment by prisms patch notes: -- Mutable Instruments Ears passing gate to step o_C CopierMaschine & envelope follower modifying μPlaits timbre and morph inputs -- Ornament & Crime CopierMaschine quantizing internal CV algorithm input to pentatonic minor scale, and sending CV to μPlaits and Pluck -- μPlaits voicing a pitch and percussive sounds -- Pluck voicing string notes with low damp and high decay -- mixing with Make Noise Rosie, output to record with the Voice Memos app on a Macbook through what felt like a dozen dongles -- rhythmic distortion was not generated in system nor an artistic choice, but rather a noise found somewhere within the aformentioned chain of dongles full size image Read more

desert and mountains and the ghost towns, and the stars a placid past March Unsavory temperature variations and dusty bathrooms produce negatives such as these. The results led to these being the first and last color negative (C-41) images I processed, leaving only black and white processes for me to refine my salad-spinner and photo-flo based water spot removal techniques. full size image Nikon F100 | 50mm D | Portra 160 Read more